Mikrotöne: Small is Beautiful - V

17 Beiträge, resultierend aus den Vorträgen, gehalten beim Internationalen Symposium ¿Mikrotöne: Small is Beautiful' (30.6.-4.7.2023) in Salzburg.Inhaltsverzeichnis:Agustín Castilla-Ávila: Prologue, p.4Navid Bargrizan: Just Intonation, Dastgah-Music, and Scordatura in Kupferteich, p.7Katarzyna Bartos: Between freedom and structure in Iluzje by Adam Porebski, p.14Jonatan Carrasco Hernández: The use of Pure Data for the automatic creation of microtonal scales used in the fixed media work Tenoni, p.22Jim Dalton: Privileging Interval over Scale: Using Free-Style Just Intonation to Achieve Scale-less Bohlen-Pierce, p. 29Katarzyna Daszkiewicz: Does microtonal mean apocalyptic Pawel Mykietyn's Ladnienie for baritone, microtonal harpsichord and string quartet, p. 37Karin De Fleyt: Temporality layers in Xi for flute solo by Karlheinz Stockhausen, p. 52Vytautas Germanavicius: In Search of Archaic Code as a Symbol of the Interval Structure in Folk Music Scales, p. 58Nikolaus Gerszewski: The Microchromatic Perspective, p.75Martin Gut: 60EDO in Günther Rabl¿s tape composition Landschaft mit Pianist, p. 82Franck Jedrzejewski: Petr Chernobrivets and the 20-Tone Universe, p. 94Gerhard Klösch: The Sliding Keyboard, a new pure tonal instrument; part 2: Applications, p.104Klaus Lang, Martin Ritter, Alyssa Aska, Pablo Mariña: Imagination as the instrument of the composer: developing the Frescobaldi enharmonic keyboard enhancement, p.112John Schneider: The global Guitar Music of Lou Harrrison, p. 125Ulf-Diether Soyka: Queer Pitch p. 135Siegfried Steinkogler: Ludus Microtonalis - a new Method to learn the Basics of microtonal Music, p. 145Luke Villavicencio: Simplifying the Understanding and Composition of Microtones with Microtonal Planes, p. 150Richard Whalley: Microtones and Landscape: Introducing Lud¿s Chuch, written for Stephen Altoft¿s 19-div Trumpet, p. 157